Edgar Varèse wrote Density for solo flute in January , at the request of the flautist Georges Barrère, who, with this piece, inaugurated his platinum flute. Varèse, born in Paris in , received his earliest training in France but was The concert opened with Varèse’s most familiar work, “Density ,” a brief flute . Edgard Varèse’s Density for unaccompanied flute was composed in ( revised in ) at the request of George Barrère for the première of his new.

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Therefore, in order to understand why the meter suddenly becomes emphasized at m. Webarchive template denslty links Wikipedia articles needing page number citations from December Interpretation and Analysis See Part 1 here. F is emphasized due to its position as the first note, F is emphasized due to its duration, and G is emphasized by its position as the final note of the sub-phrase.

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The structural importance of each pitch is then dependent on its context, at which level it partitions the octave, the tritone which divides the octave, the minor third which divides the tritone, the major second which divides the major third, the minor second which divides the major second.

George Perle analyses the piece both harmonically and motivicallyand describes its background structure. The piece uses interval cycles”inherently non- diatonic symmetrical elements.


In measures 1 — 8, the first large phrase of the piece, notice that, after the first note, nothing falls on a downbeat. Fill in your details below or click an icon to log in: Retrieved from ” https: This page was last edited on 15 Decemberat Sorry, your blog cannot share posts by email.

A Case Study in Interpretation: Timothy Klothp. This three-note ascent is varied and restated in 3 — 4. By using this site, you agree to the Terms of Use and Privacy Policy.

Density – Wikipedia

Similarly, the uneven back-and-forth between duple and triple subdivisions obscures any sense of rhythmic consistency varee levels faster than the quarter note. Defined by the head motif and its repetition in bar 3, is “characterized by its relative pitch content a three-note segment of the semitonal scaleby its interval order—down a half step and up a whole step—and by its rhythm two sixteenth-notes on the beat followed by a tied eighth-note.

Why might this be and is it the fault of the composition or the interpretation? Although I would like to focus primarily on rhythmic details, one of the strengths of Density Post was not sent – check your email addresses!

In comparison to other scores of its time, one of the interesting things about Density Allmusic ‘s Sean Hickey says, farese to the composer, Density Furthermore, important moments — such as the beginning of the second sub-phrase at m.

AnalysisDensity Views Read Edit View history. To find out more, including how to control cookies, see here: This is divided into two trichords: Innovative Ideas in Performance and Pedagogy. By continuing to use this website, you agree to their use. Notify me of new posts via email.


Density 21.5, for flute solo

Formallyhe says, the piece consists of two parts of nearly equal length, the end of the first section being densitg 24—28 p. The three-note chromatic ascent is transposed to begin on Db and the notes that fall on the downbeats are: Innovative Ideas in Performance and Pedagogy IPAP a collaborative blog inspiring the next generation of musicians through explorations into creativity, innovation, holistic thinking and posts specifically for flutists.

Leave a Reply Cancel reply Enter your comment here Think about those words: An important change happens beginning with m. Thus regristral placement is taken into consideration, creating pitches rather than pitch classes.

Like G before it, D concludes the sub-phrase. Varese indicates a strict pulse with no prescribed character — that seems a bit like a description of a machine — consistant motion and no affect. You are commenting using your WordPress.

Db, Db, D, D. Notify me of new comments via email. Email Address never made public.

Come back for part 3.