Dub: Soundscapes and Shattered Songs in Jamaican Reggae. MICHAEL. E. VEAL. Middletown CT: Wesleyan University Press, x + pp. (Paper US$ . Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Sonic Bodies: Reggae Sound Systems, Performance Techniques and. Middletown, CT: Wesleyan University Press () pp., Paperback, $ The task of documenting and conveying the significance of a.

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The reason that I think those two artists in particular were important to have brought syattered, is that their influence from Du This book had much to say on the techniques used to create some of the most distinctive soundscapes in recorded music. This music didn’t really sound like Dub, but anv to heart the creative process of playing the studio like an instrument, which to me is more interesting than music that is directly derivative.

Dub involves remixing existing recordings–electronically improvising sound effects and altering vocal tracks–to create its unique sound. Clear-headed academic overview of dub. He further explores the “dub revolution” that has crossed musical and cultural boundaries for over thirty years, influencing a wide variety of musical genres around the globe.

Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and soundacapes worldwide. Aside from that, an excellent overview of a rarely-covered field of study. My lifestyle now reflects this, sometimes I stand back and let the rhythm of the scene ride on without comment, sometimes I shout down nonsense, sometimes I repeat myself Just a moment while sgattered sign you in to your Goodreads account.

E rated it it was amazing Oct 10, Matthew rated it it was amazing Sep 10, Lists with This Book. Preview — Dub by Michael E. Index of General Subjects. One of the best researched books about reggae ever!

Wesleyan University Press, That’s my life now, everything I hear, I see dub, I see pastiche and hear the versions that could be made from the source material. One way that Veal gets at the myriad intersections of the sonic and the social is through the term “soundscape,” originally coined by Canadian composer, theorist, and environmentalist Murray Schafer to describe soundsca;es sonic profiles or acoustical environments of the physical spaces we inhabit see, e.


Instead of being a tabloid-style tell-all like most other books about music, this book tells the story of dub with a strong emphasis on musicology. This book provides more detail than I’d ever hoped ni even the details of the specific and recording techniques used in mixing dub tracks.

Mark rated it really liked it May 25, Goodreads helps you keep track of books you want to read. This website uses cookies to ensure you get the best experience on our website.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae – Michael Veal – Google Books

Oct 21, Adam rated it it was amazing. The reason that I think those two artists in particular were important to have brought up, is that their influence from Dub was derived during its most fertile period. However, it kind of glossed over that part, in my opinion. Accordingly, Veal situates dub in deep, rich context, explaining its significance for Jamaican society and Jamaican music and making a strong if familiar argument for dub’s impact on music production the world over, in popular and experimental spheres alike.

All that being said, if I was on the thesis committee for this book, my red pen would have just about run out of ink. Still, I don’t mean to hate. Books by Michael E. I also appreciate the effort in linking Dub to the other styles of music it influenced, but I had hoped for more causal and direct links rather than theorized and abstract ones.

Dub: Soundscapes and Shattered Songs in Jamaican Reggae by Michael E. Veal

Great musical history, a bit academic for those put off by critical theory, but really well thought out and researched, a great addition to the canon of literature on Jamaican music. Other editions – View all Dub: I most enjoyed the features on s One of the best researched books about reggae ever! As the author puts it: Will Evans rated it really liked it Jul 06, The only real issue I had with the book are the constant comparisons of songs with sbattered dub remix versions, replete with blow-by-blow verbal descriptions of what’s happening in the song, in technical musicologist terminology.

It’s clear from the author’s introduction that this is a personal music to him — one that grabbed his attention immediately and held it with sufficient vigor to create this extremely thorough review.


Paul Corupe rated it liked it Nov 05, As the author puts it:. Jun 21, Colin Masso rated it it was amazing. That being said, between some tips from this book, Internet searches, Pandora’s Some great bios and stories of the key players in dub are the highlight of this book.

Return to Book Page. To ask other readers questions about Dubplease sign up. A brilliant blend of ethnomusicology, historiography, and fandom for an underappreciated genre of music. The author cites specific a and b-sides of singles to describe what makes each engineer unique. In the process, Veal articulates dub’s symbolic connections to such notions as diaspora and modernity, engaging with the discourses of Afro-futurism and the ni as well as with postcolonial studies and eeggae emerging literature concerned with sonic or audio culture SterneBull and Back JHat rated it really liked it Apr sbattered, In what seems like a useful if, to my knowledge, shattere and ultimately confusing application of Schafer’s term, Veal often uses soundscape as a verb e.

There are no discussion topics on this book yet. Alex Mchugh rated it it was amazing Sep 01, Oh I see everything in relation to dub now, the compositional insertions, mood-shifts of the dub versions, and most importantly, what is said in the absences and pauses.

[PDF] Dub: Soundscapes and Shattered Songs in Jamaican Reggae (Music/Culture) Read Online

Want to Read Currently Reading Read. Gina rated it it was ok Feb 22, Book titles OR Journal titles. It does get a little pedantic toward the end, but not before giving the reader the tools to listen to and understand dub with a greater appreciation for the environment that inspired it, the artists that pioneered it, and the songss that made it come alive-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live-live.

Nic rated it liked it Dec 01,