In this article, Bolter and Grusin aim to trace these histories of immediacy, hypermediacy, and remediation: We will begin by showing how the. In chapter one of this text, the authors discuss immediacy, hypermediacy, and remediation. Fittingly, they offer the disclaimer that they make no. Bolter, J. D., & Grusin, R. (). “Immediacy, hypermediacy, and remediation.” In Remediation: Understanding new media. Cambridge: The.

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Transparent immediacy becomes a reaction against the power and function of mediation. Similarly, the desire for sexual immedediacy could aim for a voyeuristic examination of the objects of representation or a union with them. Comment From Everyday stuff: Bolter, Jay David, and Richard Grusin. Later on, they state that the human agent being erased from the media is a big part of immediacy.

Most people think that they have their origins with digital media; it is interesting to see the various examples that are used to illustrate that these concepts have existed as long as media has existed. Ideally, there should be no difference between the experience of seeing a painting in person and on the computer screen but this is never so. Previous Post Lingua Fracta.

Bolter and Grusin Different media may enact this desire in different ways.

Immediacy, Hypermediacy, and Remediation by Bolter, Jay David + Richard Grusin

Remediation is an integral component of new media, and it manifests on a continuum of extremes. Syllabus Assessment Student Content. In this sense, it refers to the symbolic act itself and thus would include writing. Time Barrow Site about curriculum vita writing samples research contact Blog. Later on, the examples of renaissance painting and photography are used to illustrate immediacy through transparency.


The logic of immediacy is the idea that technology should closely reflect the real world in order to create a sense of presence Finally, they touch on the topic of remediation.

Sign In Don’t have an account? I completed that life chapter and devote this blog to writing, content design, and user experience. However, the merging of the two logics—transparent immediacy and hypermediacy—can create a simulated feeling of presence. If the logic of immediacy leads one either to erase or to render automatic the act of representation, the logic of hypermediacy acknowledges multiple hyper,ediacy of representation and makes them visible.

Bolter and Grusin 83 Hypermediacy is a “style of visual representation whose goal is to remind the viewer of the medium” Bolter and Grusin There is remediatoin trail throughout our cultural history of attempts to create media that do this. BolterGrusinimmediacyremediation.

Immediacy, Hypermediacy, and Remediation — Time Barrow

Each was the best representation up to that point. In the way, the image is a representations of the individual, and one sees it as such partially due to hyperemdiacy hypermedia aspect of users having to interact so much with the interface. An example would be how computer desktops mimicked what would be on an actual desktop e.

Finally, they state that the difference temediation immediacy and hypermediacy is the difference between looking at, versus looking through something.

The first one is when an older medium is represented digitally without irony or critique. Herein lies the paradox: Authors Bolter, Jay David, and Richard Grusin used Immediacy, Hypermediacy, and Remediation to convey several ideas about how new technologies remediate the old media and how new media cannot completely get rid of old media as nothing is remediafion novel in this day and age.


Immediacy, Hypermediacy, and Remediation – Accessing Rhetoric

Video as a communication tool is generally used in a synchronous manner with tools such as Skype, video IM, and teleconferencing. Of course, one can also post a video response, which presents another series immedacy steps and tools to post such a response.

The final logic is remediationand it appears to be the one that has been taken up most verbosely in scholarship and, arguably, has influenced recent focuses on remix. Remediation can also be more aggressive, attempting to refashion the older medium or media entirely, while still making the presence of the older media and therefore maintaining a sense of multiplicity, or hypermediacy immeddiacy This is to say, users want an mimediacy connection with the medium. By the use of the video, it places the user right in front of a human conversant, including the awareness of sound, appearance, gesture, facial expression, etc.

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This makes us wonder: Contemporary art is a remix of older pieces as hypsrmediacy draw inspiration and vision from older works from other artists. It is a consequence of what Kenneth Burke calls “naive verbal realism” whereby the symbol is simply perceived to be a window to the real.