Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the . On live performance, Auslander is trying to challenge the ideas of the traditional value of liveness. Performers in theatre cling to “the magic of. PDF | On Mar 1, , Dean Wilcox and others published Liveness: Performance in a Mediatized Culture. By Philip Auslander. London & New York: Routledge.

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But it also has to do with the cultural dominance of the screened image at this historical moment. Performance in a Mediatized Culture Cultural studies: Different media therefore do not interact with one another as equals Thanks for reading my book with such close attention.

Auslander is the editor of Performance: You must be logged in to post a comment. Liveness [ Readings ] Live performance is now heavily influenced and tends to emulate the livenees and practices of mediatization, with screens becoming prominent in many situations and venues.

Browse by subject Browse by author. It’s impossible to say that live art enjoys any single status in the information age–there are versions of live art that are still primarily art-world phenomena, others that appeal to much broader audiences. Similar properties can aus,ander said of digital media, but auslandee that case it uses the hypermediate in addition to the immediate, and the illusion of the sanitized vanished much more quickly. Television has essentially formed its own culture, its own auslandr in of itself.

In lieu of an abstract, here is a brief excerpt of the content: He contributes regularly to these and other journals and has published five books, including Presence and Resistance: Performance and Disability University of Michigan Press, Psychology Press- Performing Arts – pages. Arguably, the same could be said today of the internet. RSS feed for comments on this post.


In addition to his scholarly work on performance, Prof. I am curious as to the discussion of Gorillaz in the new edition. Theatre and media are rivals, and, much like industrial production, media specifically television has filled and saturated the cultural economy. The Burning Man festival is a case in livenss event featuring performance that is itself a performance, which partakes simultaneously of frontier mythology, a counter-cultural impulse, and popular cultural visibility.

Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and ayslander worldwide. Television is intimate in the sense of bringing the external to the home, without needing to travel to auslandeg. Auslander writes art criticism for ArtForum and other publications. To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.

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Performance in a Mediatized Culture Routledge Its specific ability to position itself as theatre’s replacement originates in the claims of immediacy made on behalf of television throughout its development, and in its claim to replicate theatrical discourse.

Yet the most intellectually captivating revisions arrive in the later chapters.

Philip Auslander Quotes

My library Help Advanced Book Search. Even though it is arguable that rock is equally steeped in a long tradition of masculine display that was often effeminate and implicitly queer, evocations of that tradition are not generally seen within rock culture as celebrations of rock authenticity. Film, by contrast, is characterized by memory, repetition, and temporal displacement.

Since its first appearance, Philip Auslander’s ground-breaking book has helped to reconfigure a new area of study. Hi Philip, thanks for reading! Performance in a Mediatized Culture. On live performance, Auslander is trying to challenge the ideas of the traditional value of liveness.


Live performances are just as susceptible to incorporating media elements as others. TV was seen as a cultural sanitizer, to bring only appropriate legitimate content and values into the home. Comment by Philip Auslander — September 1, 2: Television has become its own culture. At the same time, however, the second edition of Liveness reads as a very different book, especially in terms of tone, scope, and intellectual generosity.

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Masses have desire for proximity, and at the same time, have desire for reproduced objects. References to this book Is this real?: Google ScholarGoogle BooksAmazon. We need to remain alert to what happens to the body when it is mediatised. Television’s usurpation of the cultural-economic position formerly enjoyed by live media such as theatre was not simply the result of the generalized mediatization of our society.

Essays in Modernism and Postmodernism Routledge,and Liveness: This website uses cookies to ensure you get the best experience on our website. No occurrence of mass or scripted art can be considered authentic because of its reproducibility. Matthias KarmasinCarsten Winter No preview available – Nevertheless, there is an ethical imperative not to conflate the body with its representations and mediations, but to remember that there is an actual body there somewhere, experiencing the consequences of what is being done to it.

Mediatization is reflected in production of performance by the apparatus of reproduction.